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This Week's Letter

A day, a week, six weeks

Norman Fischer sits a single day at Green Gulch, Tassajara bends yoga into zazen, and Great Vow opens six weeks of monastic summer — three answers to the same question about time.

This is the loud weekend. The Fourth lands on Saturday, the federal holiday tucks in on Friday, and in a year when the country marks its 250th the fireworks seem to have started early and to have no intention of stopping. Meanwhile the wellness pages have quietly agreed that silence is the new luxury — retreats “gaining momentum,” quiet reframed as the one thing a busy life can least afford. There’s something worth noticing in that timing. David Whyte, in “A Seeming Stillness,” writes that “we love the movement in a seeming stillness” — which is closer to the truth of a sit than any brochure about switching off.

Summer ango, the Zen training period that runs roughly May through July, is near its close. The retreats opening this week sit in that late light. And the long weekend hands most people the same small gift it always does: a stretch of unstructured time. The question underneath it is plain. Given the hours, what do you actually do with them?

One answer is a single day. All Day Sitting with Everyday Zen runs July 11 at Green Gulch Farm, SFZC’s working farm above Muir Beach, led by Zoketsu Norman Fischer with senior teachers from his Everyday Zen network. Fischer founded that lineage in the 1980s on a simple premise — that practice belongs in ordinary life, not apart from it — and he has spent decades making Zen legible without thinning it out. A full sesshin day compressed into one: multiple sitting periods, oryoki lunch, a talk, dokusan. Eighty-five dollars, dawn to dusk. A good way to test the shape of silence before committing to more of it.

A longer answer bends the body into the sitting. The Heart of Yoga and Zen runs July 7–12 at Tassajara, the mountain monastery in the folds behind Big Sur. Mornings build with vigorous Vinyasa, then settle into zazen and Dharma teaching; afternoons turn toward restoration and what the center calls heart-centered inquiry. It bends toward accessibility rather than austere form — aimed at people who live comfortably in their bodies and want that literacy to inform the cushion. Pico Iyer wrote Learning from Silence about a Benedictine hermitage just up that same coast, calling the quiet there not empty but thrumming. Tassajara’s redwoods and creek hold a version of it.

And then the far end of the spectrum. Great Vow’s Summer Residency opens July 7 and runs to August 16 — six weeks of monastic life in rural Oregon. Not one continuous sesshin but several week-long intensives strung through the ordinary rhythm of a working monastery: dawn zazen, sanzen, oryoki, temple work in the fields and kitchen. The architecture lets you build capacity gradually and then, inside each embedded sesshin, find the floor drop out. Three hundred dollars for the whole six weeks, which is less a price than a statement about who the doors are open to.

A day, five days, six weeks. The interval is the only real variable; the practice inside it doesn’t change. If a full residency reads as too much this summer, Great Vow also runs a Beginner’s Mind weekend July 10–12 — the same sesshin form, scaled to a Friday-through-Sunday you could survive on a holiday’s worth of nerve. Whatever the weekend sounds like where you are, the zendo will be quiet, and it will keep being quiet after the last of the fireworks have gone dark.

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